As some might remember, I was involved in a Sydney revue last year by the university of Sydney architecture faculty as the musical director. It was called Game of Homes (a shameless pun on the Game of Thrones series). Not only was I involved with music, it also gave me the wonderful opportunity to create a 3D animation for its opening sequence based on the original (and very well done) Game of Thrones sequence. You can view the animation sequence and corresponding revue poster in this post.
As this is an annual event, I’m happy to say that I’m again involved in it this year (as music again) and would like to present Floorless, a spaghetti western with a particularly complex pun for a title. It’s a joke on both the film Lawless, and on Flawless with an architectural twist. Get it? Nope? That’s alright. Me neither.
Anyway, you can tell that this is a quality Sydney revue because it has a quality poster. This means that if you’re in Sydney on the 5th, 6th or 7th of September, you should buy a cheap ticket and watch it.
It contains all the right ingredients for a successful western. These include bandits, sherrifs, the town stranger, the town drunk, the fastest shot in the West (which may sometime be the town drunk), the banjo brandishing hillbilly, the lonely harmonica player, a whip*, the mayor, Mexicans, the fine lass, and a Final standoff with capital F.
Also, there used to be an official revue website somewhere but as I can’t find it I assume that someone forgot to renew the domain and the site no longer exists.
Cheers, and see you at the event!
* the whip may or may not be used at the actual event, and audience are recommended to not buy tickets for the front row.
Doing a Blender panoramic render isn’t easy. This is because you can’t actually see what you’re going to create in the regular OpenGL-shaded 3D view. In fact, even when looking through the Blender camera, you won’t see what you’re going to end up with.
Blender panoramic renders with Blender Internal renderer
The technique is actually rather simple: just select the camera. Then in the object data settings panel, just click the panoramic button and play with the focal length until you get something you want. You can see an example of how to create a simple Blender panoramic render in the screenshot below:
You’ll soon discover is that you can only actually see what you’re going to get when you hit the render button. If you’re using the internal Blender renderer, this’ll become a pain really quickly. This is because you’ll have to constantly hit render and wait for the image to come up.
Blender panoramic renders with Cycles renderer
However if you switch the scene to Cycles Renderer, things become easier. This is because Cycles provides a real-time rendering view. Just set one window open to rendered view and you’ll see what you’re going to get (roughly) in real time. At the same time, you’ll notice that Cycles opens up new options on how your panoramic render should be like: the type of panoramic – whether it’s fish eye, equidistant, or rectangular, and how many degrees the field of view is.
Now comes the fun part, actually building your scene. The best strategy is to have planned out your scene beforehand on paper so you know its composition. With panoramic renders, if you haven’t already got a scene built, now is your chance to bend reality in a Dali-esque manner and have fun with perspective.
Once your composition is planned out, create simple cubes and planes as proxy objects for the rough locations of where your scene objects are going to be. Then slowly replace them with the more detailed meshes of what you want to make.
Another useful tip is to use the Blender preview window. In Cycles, when in camera view, just press shift-b and drag and drop a cropped portion of your screen, and it’ll only render that area. This keeps rendering times low. There are plenty of other tips on how to reduce rendering times, so I won’t repeat them all here.
Below you can see a panoramic render I did a few months ago which uses the above techniques. As you can see, I’ve blended several scenes together with varying perspectives, which was only possible with a panoramic render.
Good luck, and create those awesome renders!
This isn’t entirely true. It doesn’t track the hand, it tracks a bright blue bottle cap I found on the floor. Even more truthful is to say that it tracks anything bright blue. But enough chat, here’s a demonstration. Just click the small button with the dash in it to get started, grab something blueish and wave it in front of your camera. It won’t be as good as we got it since we adjusted it for specific lighting conditions, but it’s enough as a proof of concept.
We’ve also got pretty pictures to show. Here’s one of the quick n’ dirty strap we used to embed the bottle cap in.
And here is one of it in action.
You can see the (bad, hackish, thrown together) code for it in my playground repository on GitHub.
A few months ago, Chris Paplinski, Nathan Charrois, Kaushal Inna, Andre Brokman, Kelsie Rose and I, Dion Moult, gathered to create a company. Today, we would like to present to the world: SevenStrokes.
SevenStrokes is a web development company but with a few key differences.
- Firstly, we see websites as a service, not a product. We don’t just build a website, we treat it as part of your larger corporate strategy.
- We build systems that mirror your day-to-day domain issues. We use a combination of behavior-driven development and code architecture that employs the same daily language that you do. This ensures our system makes sense not just in the software world, but in real life, and thus always move a step towards achieving your corporate goals.
- We follow many aspects of the open-source business model, ensuring that we assign the most motivated staff that want your site to succeed just as much as you do, and that full inspection guarantees your system integrity.
- We push for the latest industry standards and keep on pushing, even after launch. Websites are usually short-lived, but we’re changing that with a system architecture that maximises long-term life.
So what are you waiting for? Do you need a website built? Do you need somebody to help spearhead your latest online initiative? Check out SevenStrokes: Building websites … a little differently
Whilst Linux is an excellent system for programmers, it’s certainly a little wanting for people who deal with creative graphics. There are tools like Krita, GIMP, Inkscape, Blender and Digikam and so on to help fill this gap, but one area which isn’t talked about so often are CAD tools. As an architecture student and a Linux user, I can safely say that the options are disappointing. It certainly is possible to have a complete graphics workflow on Linux, but it’s not as good as on Windows.
There were always CAD packages around such as FreeCAD and QCAD (I believe rebranded to LibreCAD) and its various derivatives, but they were all slow and not particularly powerful. However for the past few years, I’ve enjoyed DraftSight.
Firstly, a disclaimer: DraftSight is not open-source. It is certainly free to use and works very well on all platforms, but it is backed by a commercial company (Dassault Systemes), is financed through an enterprise license, and certainly has no obligation to the community.
However perhaps the reason DraftSight is so much more powerful than the open-source alternatives is because it has a very clear goal: it wants to clone AutoCAD. Unlike GIMP, which has tried to define a new paradigm for itself, DraftSight keeps users in a familiar environment.
If you are on Gentoo Linux, I am maintaining the DraftSight package and as of May earlier this year, it is available in the betagarden overlay. For more information, you can see this bug.